scary. things (part.two.)

scary. things (part.two.)

“Let’s go around and everyone say their name, where they’re from, why they’re here.”

“I’m Becca, I’m here by accident, I thought I was taking a writing class and I’m absolutely terrified to be here.” 

“Great!” 

 

It’s astonishing how quickly you get comfortable with a group of strangers when you’re all thrust into the same uncomfortable situation. The writing class I’d signed up for a month ago was cancelled due to low enrollment, and the center had called me a week prior, asking if I’d like to take another class that was at the same time on the same days, but would be improv in the morning, and writing in the afternoon. I said No the first three times the admission’s person asked. But at the last minute, right before hanging up, I’d blurted, “Wait! Okay I’ll do that one. The improv/writing one!” I figured 1.5 days of writing instruction was better than none at all. And hey, maybe I could just be late to the improv mornings, or make up some excuse to only come in the afternoon. After all, I’d already booked and paid for the hotel and train ride. I’d been looking forward to this. But there was no way in hell I was interested in doing improv.

By the time I realized, on the first day of class, that I’d been accidentally put into a third class option–the all day improv class–I’d already emotionally bonded with my five fellow hostages and couldn’t imagine starting over the next day with brand new people who hadn’t traversed my awkward dance activity with me. Hadn’t encouraged me through a round of gibberish. I’d already learned important aspects of my fellow weirdos and I didn’t feel right saying, “Um, excuse me Second City people… I think there’s been a mistake. Please put me in the other class where I’m going to have to bond with new people who already bonded with their own people.”

There was some legitimate panic. I’m not an actress. I can’t even lie very well. I was making the decision to stay in this class so far out of any comfortable activity I’d ever decided to take up, but I was terrified to do it.

One of the first things our improv teacher for the weekend told us was, “You are all going to be okay.” I’d be lying if I said I believed him when he said this. I was pretty sure that if there was such a thing as dying of embarrassment or discomfort, even if no one had died of that yet, I would be the first person in history it would happen to. Medical people for years to come would study it, the Becca Syndrome. Poor lady died in the middle of a black and green film room that was inexplicably air-conditioned in the middle of fucking winter in Chicago while trying to come up with a new, funny way to portray the sad side of a fish market. The textbooks would offer a little picture of me in the corner in black and white, looking, myself, like a dead fish too petrified to move. Medical students reading about my tragic demise would laugh to cover up their own insecurities, the worries they had about their own mortality when facing uncomfortable situations in their sought-after profession. What if an elderly person or a baby pooped on them? What if a really ill person pre-quarantine spewed blood all over their face? What if they were asked a hard question during medical rounds that they couldn’t answer or were asked to perform a procedure that, done wrong, would surely kill the patient? Would they die of Becca Syndrome?!?

Luckily, Sean, our instructor, was right and everything was okay. We all made it through the three days without any of us dying. There were two or three times I thought, this would be a good time to burst into tears, but luckily, I was able to refrain from doing that as well.

So, in the absence of a desire to move classes, and with a newfound sense of camaraderie with my classmates, I stayed. I decided to see how this all works, this improv bit. How do people get onstage and somehow, coherently create one scene together on the fly. How is this sausage link made. How do people become so comfortable with themselves onstage. Maybe you had to be born with certain criteria that I lacked and always would… but maybe there were tricks you could learn. Maybe by being here, I would learn how to let go a little. It was worth a shot, anyway.

 

 

get.lost.

get.lost.

I’ve written previously about my proclivity for getting lost. Unlike some people, this doesn’t cause me too much anxiety, I just factor Getting Lost Time into my commute. My friends are no longer surprised when I’m late, or have some zany story by the time I finally do reach my destination. Just a month ago, one of my friends stood outside his new apartment, calling me five minutes before I was supposed to arrive, because he knew he was going to have navigate my dumb ass around his neighborhood so I could find him.

Last night, I was driving to a gig at a venue I’d actually been to before, and still somehow, I was able to get lost out in rural Midwest America. The sky was overcast, just bruised to hell with rainclouds and a sad-looking horizon warning of shitty weather. I wasn’t in a bad mood, per se, but the sky wasn’t making me particularly jubilant, either.

Another thing not making super excited about the commute, is that many of the roads aren’t marked where I was driving. Also, halfway there,  my GPS stopped talking to me. Also, even if it hadn’t, history predicts I still would’ve missed that road I was supposed to turn on. Also, when the GPS did  start talking to me again, it kept telling me TURN RIGHT over and over again when there was not a damn road in sight for miles and I really didn’t want some farmer to shoot me for driving through his field.

So I just kept driving straight into gray skies, looking for a place to turn around.

When I did find a place to turn, I had to immediately pull over (you can do that on old country roads, because no one else is on them) because the sky that had been behind me this entire time, was insane. It felt like God had finally gotten fed up with all us wannabe artists down here and was saying, “Look, that’s cute. But I can do this better than you. Here you go, enjoy.”

It felt wrong to take a picture, like I was stealing someone else’s work. Or like there was no way in hell the picture would ever live up to the real thing, so it was sacrilegious to create this mockery out of the sky.

I mean, I did it anyway. But the pictures really don’t do it justice.

For a little while I just sat there. I’d built enough Getting Lost Time in, I wasn’t going to be late. And when I drove back the way I came, I got to watch the brilliant sky the entire way.

Maybe sometimes you get lost so you can arrive at your destination from an angle with a more appealing view.

 

pull.over.

Sometimes I get restless and develop an itch to drive up the river road here and just watch the Mississippi chug by. The midpoint of this trip is usually a woodshop I like to stop at before turning around and heading back home. The shop has lumber from different wood mills around the area, as well as little scraps of misshapen wood, interestingly sliced branches, reclaimed driftwood, and tree stumps you can imagine being turned into chairs or yard signs or any damn thing your heart could think up.

Also in the shop are creations other people, more talented and handy than I, have carved into intricate wall-hangings or furniture. Really magnificent pieces of art that take into consideration every knob or imperfection in a piece of wood and make those little things other people might think of as flaws, into a feature of the work. I like to wander around and look at it all. At one point I had convinced myself I could do some of it, too (much to the chagrin of my family, when I brought home a backseat full of weird-looking wood… out of which a weird-looking bug crawled and infested our house at one point).

I’m not sure what is so calming about walking around all the milled wood, the different varieties, the colors, textures, densities, and shapes. Not sure why I am so interested in seeing all the planks lined up, one after the other. Or seeing all the furniture someone else has already crafted. All I know is that, when I’m driving up the river road towards this place, I am in a hurry and I don’t slow down, I don’t stop and pull over on the side of the road, where there are many places I could pull over safely, and take pictures of the sun slicing off the water, or the bluffs baring themselves to the sky. I tell myself, “Yeah yeah, that’s great, I’ll take a picture on the way back.”

I’ll feel better on the way back. And I will slow down and pull over.

Today when I went to the wood shop I was met with a surprise: it had been cleaned out.

Not totally cleaned out. It was still there, it was still operating. But all the artwork I’d admired last fall was gone, as if its creator had quit showing it there. The back of the building, which used to seem like a labyrinth leading to a treasure hunt of furniture and that perfect scrap of artsy wood for whatever the hell it was I used to imagine I’d make, was organized and clean and held nothing but giant, tree-height planks of wood. No scraps, no cutesy signs or old chairs. Nothing.

I might be the only person in the world to be saddened by order.

I left the building, it having nothing I wanted to look at now. (Plus if I bring home anymore wood, my family will probably kill me.) Got back into my car. Drove back the way I came, fully intending to pull over somewhere and snap some pics. To slow down.

The sun was out, the weather was perfect. But there was nowhere safe to pull over on that side of the road. Sometimes life is just like that. You want to slow down and take it all in because you didn’t before, because you were anxious to get to a place you weren’t even sure would be there when you arrived. And now you can’t.

There’s nowhere to pull over.