dark.light.

dark.light.

The fireflies used to lead us down, single-file, through the woods. Onto the bridge. Over the lake where Kelly tried to save the fish she couldn’t bear to see die after one of the campers took to long on the release part of the catch & release policy. Past the amphitheater lit up paranormally, as if the light was coming straight out of the core of the wooden slab benches and the cross itself. Past the empty cabins that would soon be filled with campers who had found their way back by the light of the fireflies.

The sound of a firefly darkness is a thing I can’t describe with words. Maybe not with paint, either. Nor song. Maybe it takes all these things. The sound of the silence that isn’t really silence–if you listen closely, you hear the bullfrogs down by the lake and the buzz of insects you don’t want to know the names of and the shuffling of shoes through the dirt and the sniffling of someone trying to stop crying after leaving the tabernacle and the rustle of campers reaching for their new friends’ hands. But for some reason, your brain still lets the silence claim these sounds. They belong to it, they are right at home with the silence and the dark.

The dark that isn’t really dark. There are stars in the sky and that ephemeral glow of the cross that seems to come from nowhere and the reflections of it all in the lake and, of course, the fireflies. The fireflies that belong to the dark. The fireflies so small and dainty that you can only notice them when it is this dark. So dark that you swipe three or four times before you make contact with your best friend’s hand. So dark that the lake seems magical in the way it can grab onto the smallest of light and propel it back out into the world to be seen. So dark that the light is almost an offense.

Only in a dark, silent night like this, do you even notice the fireflies. Only here, as you make your way back to your empty cabin from the joyous tabernacle, do you realize how amazing the smallest contrast to your surroundings can seem. How little you actually need, to find your way back to where you’re supposed to be. How big the light can seem, once you quit being afraid of the dark.

lost.letters.

lost.letters.

Remember when people sent actual letters? On paper? They had to know how to craft sentences and piece them together in aesthetically pleasing ways. They spent all day–hell, maybe all week–stitching together their thoughts because they had to make them good. Whatever they were going to say was going to take days or even weeks to arrive at its intended target’s doorstop, and the reader would’ve been looking forward to these thoughts for a long time, and you did not want to disappoint.

And besides that, after everyone died, the letters would remain unless they were lost to fire or flood or ritual sacrifice of some kind. Even the literature of dead writers who have their works published into the annals of our history end up with said works (on which they toiled away for years and years) still end up in anthologies next to letters they wrote during their lives. They were that important, that sacred.

Letters allowed a writer to say things without interruption. The writer could craft an entire story of thoughts and feelings and summary without someone interjecting or questioning, without expecting an immediate response at all. The writer could purge her soul, thoughts, stream of consciousness onto the blessed purity of the page, knowing there would be a reprieve, a delay in response resolution. Sometimes that is all we crave, that space between the purge and the resolution.

And maybe that’s the real problem these days. When things can be sent so quickly and responses demanded just as immediately, the messages somewhat lose their meaning. Easy come, easy go. Because let’s face it, these days, no one takes the time to write letters. Everyone is in a hurry, everyone can have a thought and send it near-simultaneously to whomever they please. Just stepped in dogshit? You can tell the world about it via text or Tweet or Instagram or Facebook or Whatthefuckever. And it can all be deleted and lost in an instant. Denied. Delayed. Validated. Shunned. The options are endlessly maddening.

But, I have this friend. He has always known how much I like old things. He knew maybe I’d been born in the wrong decade, or maybe that I’d lived too many decades already. We used to go antiquing together, and talk about different time periods. Sometimes we’d go to museums and we’d just wander and stare, wander and stare, without really having to talk too much. It was like that. That kind of friendship.

And he’d bought a box of old things someone had no use for anymore. Then one day, he had no use for them, either. So he gave them to me. And in this box, were letters and letters and letters. All from the era of World War II.

“Maybe you could read them and write a story. I bet they’re really interesting,” he said.

“Did you know any of these people?”

“No. But look, don’t they just look like they’d be interesting?”

They do look interesting. But I haven’t opened any of them yet. Maybe I’m afraid I’ll be too envious of the simplicity of life before the internet. Maybe I’m afraid of the drop in my gut when I compare those letters to my own terse, unthought-out texts. Maybe I’ll be ashamed of the sloth Convenience has hammered me into. I used to have actual thoughts. I used to be able to write letters. I used to be able to sit, patiently, waiting for the thoughts and feelings to come. The ingredients for a good letter.

I used to write letters.